Concerto on White

10/12 Update: Due to the overwhelming response to our event, we're excited to announce that we're upping the stakes! We've just added 10 more prizes of 20 USD each to the prize pool! Thanks for your active participation, and best of luck! Still chanted by the indie game magic of Pocket Playfest? We're now back with Indie Spotlight! Mark your calendars for our next indie game celebration Indie Spotlight, scheduled to be live from Oct 11 to Oct 13!

My story with Senk It was a great honor to have invited Concerto on White to TapTap Indie Spotlight event. I had the privilege of chatting with the game's creator, Senk, for quite some time. Senk's vision for the game is to create a music simulation game that goes beyond mere rhythm simulation, and that got me really excited. (by the way, you should really read his devlog; it could bring great inspiration to those who have a passion for doing their own. )

Hello to all music and game enthusiasts, Senk here. As the hype for Indie Spotlight launches, I wanted to pause and dive into the heartbeats and melodies that shaped this project. Rethinking Rhythm Games Lately, I've noticed many rhythm games narrowing down the vast world of music to just its beat. With my background deeply rooted in East Asian music, I've always held the melody in high regard. Watching the market streamline and simplify music this way felt off-key. So, back in 2016, an idea formed: a game that brings together rhythm and pitch, painting a full musical picture. Enter, Concerto on White. Instead of just tapping to the rhythm, you play the actual melody, mimicking the mechanics of a violin or guitar. For those familiar with rhythm games, this is pure melody immersion!